In Stephen Frears, Bremen is paying tribute to one of Europe’s most influential and versatile directors. He is not a filmmaker who can be confined to one genre, theme or style. Among his over 70 films made over five decades are small social studies such as “My Beautiful Laundrette”, his breakthrough as a director, opulent period dramas like “Dangerous Liaisons” or the neo-western “Hi-Lo Country” which was awarded with the Silver Bear. He discovered young talents who are now international stars such as Gary Oldman and Tim Roth, and worked with already established celebrities, including Hugh Grant, Michelle Pfeiffer and Julia Roberts.
Frears is considered one of the most important minds of New British Cinema, alongside directors like Ken Loach and Peter Greenaway. Since the 1970s he has shaped British film culture which sought to separate itself from Hollywood. However, this has not prevented Frears from working internationally and with Hollywood stars like Meryl Streep, Dustin Hoffman and Glenn Close – though he seems to always return to the United Kingdom in the end.
To this day, he condemns the aftermath of Thatcherism and Brexit in his work. The absurdity of living in a democracy desperately clinging to monarchy is also addressed repeatedly, for instance in “The Queen”, which received six Oscar nominations and for whose titular role Helen Mirren won the trophy.
Stephen Frears will be awarded the Bremer Filmpreis for his entire body of work which is characterized by his commitment to humanism. When staging his characters, be it the Queen or a gang member, he is interested in one thing above all: the individual as a being with agency. His characters are subject to societal constraints but none of them are relieved of the responsibility to make their own decisions. These decisions are often detrimental to someone – not rarely to the decision-makers themselves. Many of Frears’ ambivalent characters have therefore been described as anti-heroes. Precisely their flawed nature and their dark sides are what makes them human.
Through such characters, constantly embodied by great actors whom he knows to lead with virtuosity, Stephen Frears manages time and time again to tell stories that have societal relevance and emotional resonance at the same time. According to his own account, the best compliment he received was from Queen Elizabeth’s former private secretary who said of “The Queen”: “You got it all wrong, but you got it right.” You really cannot give a director and storyteller higher praise than that.