Language: German
Panel
Post-migrant filmmakers are increasingly telling their stories in a self-determined, aesthetically independent way, transcending traditional labels.
What new visual languages, cultural identities and artistic approaches are emerging from this? And how might this give rise to a cinema that does not merely react, but actively shapes the landscape?
A conversation about attitude, aesthetics and creative resistance – and the question of how a new, polyphonic cinema is emerging.
The Muslim-German Film Association (MDFV) invites you to an open get-together over tea, coffee and conversation – to get to know one another, network and reflect together.
More info: www.mdfv.de
With:
Bijan Benjamin, director, writer, “Murat B. – Verloren in Deutschland“, „Träume OK, aber Realität” (working title)
Ayhan Salar, filmmaker, curator, “Die Schwelle”, “Frizör”
Nilgün Akıncı, director, screenwriter, “Durranis Letztes Abendmahl”, “400APM” (working title)
Daniel Suárez-Wessel, director, “Sandmann”, “Günnis Eck” (working title)
Hatice Karagöl, director, theatre educator, “Seni Seviyorum. Nur Worte?”, “Der Schatz von Bloherfelde”

